The Qur’an
is not only unique in the way in which it presents its subject matter,
but it is also unique in that it is a miracle itself. By the term
“miracle,” we mean the performance of a supernatural or extraordinary
event which cannot be duplicated by humans. It has been documented that Prophet Muhammad
(peace be upon him) challenged the Arabs to produce a literary work of a
similar caliber as the Qur’an, but they were unable to do so in spite
of their well-known eloquence and literary powers. The challenge to
reproduce the Qur’an was presented to the Arabs and mankind in three
stages:
1. The Whole Qur’an
In the Qur’an, God commanded the Prophet to challenge all of creation to create a book of the stature of the Qur’an:
Say: ‘If all
mankind and the jinn would come together to produce the like of this
Qur’an, they could not produce its like even though they exerted all and
their strength in aiding one another.’ (Al-Isra’ 17:88)
2. Ten Chapters
Next, God made the challenge ostensibly easier by asking those who
denied its divine origin to imitate even ten chapters of the Qur’an:
Or do they
say that he has invented it? Say (to them), ‘Bring ten invented chapters
like it, and call (for help) on whomever you can besides God, if you
are truthful. (Hud 11:13)
3. One Chapter
This final challenge was to produce even a single chapter to match
what is in the Qur’an, whose shortest chapter, Al-Kawthar, consists of
only three verses:
And if you
all are in doubt about what I have revealed to My servant, bring a
single chapter like it, and call your witnesses besides God if you are
truthful. (Al-Baqarah 2:23)
These challenges were not just empty words with no one caring to
prove them wrong. Prophet Muhammad’s call to monotheism, to the
abolition of idolatry in all its forms, and to the equality of slaves
and their masters threatened the whole socio-economic framework of Mecca
society in general, and the position of the ruling Quraishee tribe from
which the Prophet came in particular. Mecca, the trading center of
Arabia, as well as its spiritual center, desperately wanted to stop the
spread of Islam. Yet, all that the Prophet’s opponents had to do to
crush the movement was to make up a single chapter like any one of those
which the Prophet and his followers were reciting to the people.
A number of Quraish orators and poets tried to imitate the Qur’an,
but they failed. They then resorted to offering him vast amounts of
wealth, the position of king over them, and the most noble and beautiful
of their women in exchange for his promise to stop inviting people to
Islam. He responded to them by reciting the first thirteen verses of
Chapter Fussilat, until they asked him to stop. (Al-Bayhaqi)
Quraish also resorted to torturing their slaves and relatives who had
embraced Islam in a vain attempt to cause them to revert to paganism.
Later they organized an economic boycott against the Prophet, his
followers and the members of his clan, Banu Hashim, in an attempt to
starve them into submission. But even this plan eventually failed.
Finally, they plotted to kill him in his home by sending armed young men
from each of the clans of Quraish in order that the guilt of his murder
be shared by all the clans, making revenge by the Prophet’s clan
impossible.
The Qur’an is not only unique in the way in
which it presents its subject matter, but it is also unique in that it
is a miracle itself
However, God enabled the Prophet and his followers to flee Mecca and
join a new band of converts who had arisen among the tribes of a city to
the north called Yathrib. Islam spread rapidly through the clans of
Yathrib, and within a year Muslims became the city’s majority. Prophet
Muhammad was then made the ruler, and the name of the city was changed
to Medina An-Nabi (The City of the Prophet), which was then shortened to
“Medinah.” Over the next eight years, the clans of Mecca and its
neighboring lands mounted a series of unsuccessful battle campaigns
against the emerging Muslim state in Medina, which ended with the Muslim
invasion of Mecca itself.
All of this bloodshed could have been avoided if only the Quraish and
their allies had been able to produce a mere three lines of poetry or
flowing prose similar to the shortest chapter of the Qur’an. Hence,
there can be no doubt about the inimitability of the Qur’an’s literary
style, about the miracle of its rhyme and the marvel of its rhythm.
It has been suggested that the inimitability of the Qur’an is not
necessarily unique, for great English poets like Shakespeare, Chaucer,
or great poets in any language tend to have distinctly unique styles
which set them apart from their contemporaries. However, if, for
example, some leading poet of today were to make an in-depth study of
Shakespeare’s writings and write a sonnet in Shakespeare’s style in old
ink and on old paper, then claim that he had discovered a lost poem of
Shakespeare’s, the literary world would probably accept this claim, even
after careful study. Thus, even the greatest of poets could be
imitated; no matter how unique his style was, just as the famous
painters have been imitated. [In fact, some English scholars consider
much of what has been attributed to Shakespeare to have been written by
his contemporary, Christopher Marlowe.]
The Qur’an, however, is way above this level, as attempts to
forge chapters have been made throughout the ages, yet none has
withstood close scrutiny. And, as was mentioned before, the incentive to
imitate the Qur’an was more intense during the time of its revelation
when literally skills were at their peak than at any other time, yet
there was no successful attempt.
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